2001: a space odyssey ending



A video has surfaced which appears to feature Stanley Kubrick himself explaining the end of 1968's 2001: A Space Odyssey. Trivia: As HAL loses his mind, he begins to sing "Daisy." If you read interviews with Kubrick from this time, he is very interested in film as a language. So looking at philosophy or philosophers that might have influenced his thinking is helpful, too. The objective of the Discovery (Jupiter) mission was to locate the recipient of the powerful radio signal that was transmitted from the Moon earlier in the movie. Then I went to college in the '90s. I was inside 2001. All rights reserved. Focus on the '4 L's of No-Budget Filmmaking', The Best Affordable Cine Lenses for Full-Frame Sony Alpha Cameras, 8 Reasons Why You Should Make Horror Movies (Even If You Have No Budget), How Was the Copa Long Take in 'Goodfellas' Shot? Just as we’re not quite sure what do in zoos with animals to try to give them what we think is their natural environment. Don't Have Money for Your Movie? Which led to some problems. and I was like, Fuck no, Lenny, I'm not going your way, I am keeping my sanity, I am staying in reality, take Dave Bowman instead. The star child at the end is Kubrick's umbermensch. It's reasonable to assume that there must be, in fact, countless billions of such planets where biological life has arisen, and the odds of some proportion of such life developing intelligence are high. Airliners do not fly upside down. To dissect a film and understand the context can take years of training. It haunted me as a young adult. Someone only pointed that out to me last year. "I'M BEING BORN!". The way I read it (and I could be wrong or misunderstanding the main thrust of the article), the author seems to be interpreting 2001 as an empty Sci-fi box in which we are free to place whatever values and ideas we want. Take the scene where the two clans of ape-men are sniffing each other out and preparing to fight. A CD of the Velvet Underground's greatest hits was on, the one that everyone thought was skipping when it got to the guitar solo on "White Light/White Heat." ), and reach for something greater, something greater-than-human. The moon has gravity, remember? Now, the Sun is by no means an old star, and its planets are mere children in cosmic age, so it seems likely that there are billions of planets in the universe not only where intelligent life is on a lower scale than man but other billions where it is approximately equal and others still where it is hundreds of thousands of millions of years in advance of us. It looked like a cross between a Dan Flavin sculpture and Spider-Man's nemesis Venom. He walks into the bathroom and sees that he has aged and his hair is gray. Why not!? I didn't pay to watch a movie and figure it out myself. I've come a long way from cowering in fear when I’d … I understand what he is saying to be this: we've got these mysterious obelisks that ultimately don't have meaning, and Kubrick is saying that we need to stop trying to understand the meaning, but just create our own meaning, loving those around us. As HAL tries to kill all those on board the ship, Dave must overcome HAL, kill it, prove his superiority to it, and so he progresses toward this next step in mankind's greatness (achieve ubermensch/star-child status). It's a free country, and one is free to interpret 2001 that way, and any other piece of art for that matter.

HAL admits to Bowman "I'm scared Dave, I can feel it slipping away." I’ll definitely go.

That’s right, Stanley Kubrick himself allegedly explains the ending of “2001” in a resurfaced interview that’s going viral on the internet.

They place another marker on the moon, the assumption being that if these ape-men evolve enough, they'll be able to reach the moon and find this thing.
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For some, the "ultimate trip" was the ultimate trip. While this is a nice explanation. That meeting led to a collaboration by the men to adapt Clarke's short story “The Sentinel” into a screenplay as well as a full-length novel.

I think it's a spectacular example of a person expressing his worldview, his greatest values, through the story of where he believes we came from and where he hopes we'll go. I couldn't really answer you. In an ancient time (the early 1980s), at a now forgotten realm called a "video store," old movies existed on magnetic tape threaded through big plastic cartridges. What parts do you wish were better? What existential horror gripped my soul?

From what I've understood and judging from his own works, Kubrick was totally into philosophy and thought very deeply himself. Doctor Floyd gets to the space station, sees a group of Russians, and both decide to size each other up for information.

And the ending of 2001 was never going to give them that. They may have progressed from biological species, which are fragile shells for the mind at best, into immortal machine entities—and then, over innumerable eons, they could emerge from the chrysalis of matter transformed into beings of pure energy and spirit.

The "Star Child" heads back to Earth and the movie ends with the Star Child outside of Earth looking at it with wonder that it is the primitive place it came from while "Also Sprach Zarathustra" blares triumphantly. Farrrrrrrr out. Bach. Even by early 1980s standards, the videophones on the space station looked a little dated.

Perhaps you could say he is worshiping mankind and its achievements.

But (putting aside dadaism and experimental artists whose sole purpose is either to flout meaning or to say nothing and merely invite interpretation) I believe that that view of 2001 gets us no closer to understanding Kubrick's work (or other artists' works if we view them the same way) and honoring the fact that he (and they) actually meant something when he made it.

I would never be an airline pilot. Interestingly, the destination of the Discovery mission changed between Jupiter to Saturn and back to Jupiter during the production of the film. 2001: A Space Odyssey scared me as a kid.

Then I was laying on my back hyperventilating. This Article is related to: Film and tagged 2001: A Space Odyssey, Ku, Stanley Kubrick. If you don't agree, that's totally fine.) I think they did the switch because of how the end and beginning mirror one another, but more on that later. That is not the spirit in which I write this. You will be redirected back to your article in, Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. It was the protest of the visual effects team, who had already spent much time and money on the Jupiter effects, that convinced Kubrick to stay with Jupiter. After Bowman gets Poole's body he asks HAL to open the pod bay door so he can get in. But in an effort to chill me out, my mother went the standard reincarnation route, which was an awful move.

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